BARN DANCE
blaydon races; bridge of athlone; buttered peas; circassian circle;
clopton bridge; cumberland square eight; galopede; happy clapper; la russe; lucky seven; oxo reel; sibby circle waltz; sibby sausage dance;
stoke golding; swedish masquerade; tralee maggot (seaside dance)
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Blaydon Races (from William Scott) 

big circle            32 bar jig

[]   All in to the centre and back, twice

[]   Two-hand hold: slide in to centre (two slides) and back;

     Men twirl partners (ladies turning under partner’s arm)

[]   Promenade around the circle. 

     On final two bars, men move forward to lady in front (new partner)

[]   Balance; Swing

 

Bridge Of Athlone (American version of Irish dance) 

longways 5 couples 48 bar jig

[]   Lines go forward and back; Lines cross (men arch)

[]   Repeat (Ladies arch)

[]   Top couple gallop down centre and back

[]   All cast;

     Top couple make arch (at bottom) and other couples lead up through the arch

[]   Other couples form tunnel and top couple (at bottom) come up – lady through tunnel,

      man outside;  At top, they switch to come down (man through tunnel, lady outside)

[]   All swing

My contribution to this dance is for top couple, when meeting at top of tunnel, to kiss – or cuddle – or headbutt! – or whatever

 

Buttered Peas 

hands four            32 bar polka

[]   Circle left and right

[]   Star right and left (thumbs in!)

[]   With contrary, shake right hands, clap three times, then with left hands;

     Same do-si-do

[]   With partner, shake and clap – but do-si-don’t!  Instead, promenade away with

     partner and join up with a new couple anywhere on the floor

 

Circassian Circle (collected by Maud Karpeles)  

big circle            32 bar reel

[]   Holding hands in big circle, all go forward and back twice

[]   Ladies go forward, clap, and back to places;  Men do same

[]   Swing partner       

[]   Promenade

My variation on this is to have a random progression before the swing


Clopton Bridge (john chapman)

longways 4 couples 32 bar hornpipe

[]   Top man and bottom lady meet in centre and turn (link right elbows);

      Same with left elbows, and dance back to home positions

[]   Top lady and bottom man do the same

[]   Middle four star right and left

[]   Top couple dance down centre to bottom of set while others move up one place;

      All swing partner

My calling of this encourages the “dance down” in B2 to involve fancy footwork as chosen by the dancing couple – wheelbarrows, piggy-back, cartwheels – or whatever

 

Cumberland Square Eight (from Community Dances Manual) 

square set            64 bar reel

[]   Head couples gallop across the set (men passing back to back);

      Same couples gallop back (ladies passing back to back)

[]   Side couples do the same

[]   Head couples star right and left

[]   Side couples do the same

[]   Head couples basket

[]   Side couples do the same

[]   All join hands in circle and circle left all the way

[]   Promenade all the way

 

Galopede (a dance from Warwickshire)  

longways            32 bar rant

[]  In lines, go forward and slap hands three times with partner, then back to places; Cross over (pass partner by the right shoulder) and twirl around on the spot

[]   Repeat back to places

[]   Top couple swing to the bottom of the set (others move up)

[]   All swing partners

I tend to vary the number of couples who swing to the bottom (B1) by calling a number at random


Happy Clapper    
circle   32 bar reel
variation on “Julian’s Jolly”
[]   Gallop around circle (to man’s left) and back again
[]   Do-si-do partner – right and left
[]  Clapping with partner: Knees, knees, right, right; Knees, knees, left, left;
     Knees, right, knees, left; In front, Behind, Together
[]   Swing partner
For “mixer” version: Right-hand turn with partner, then left-hand turn person on left diagonal and stay with this person for the gallop

La Russe (from the Border villages) 

square set            64 bar reel

[]   Men dance behind partner to next lady around the set, balance and swing

[]   Men dance back to partner, balance and swing

[]   1st couple swing (do something flashy!) while others clap

[]   1st couple  go round the inside of the set greeting the other couples

(“Hello” to number 2, “How do you do” to number 3, “Nice to see you” to number 4)   

      and back to home place. 

[]   Head couples cross (1st couple make the arch), then Side couples cross (2nd couple arch); Head couples cross back (3s arch), then Sides (4s arch)

[]   Repeat arches

[]   All circle left – all the way

[]  All promenade back to home places.

Repeat whole dance – each couple in turn leading at B1 etc

My contributions are the added instructions in figures 3 and 4

 

Lucky Seven (from Community Dances Manual) 

big circle            32 bar polka

[]   All circle to the left

[]   All go in to the centre and back, twice

[]   Starting with partner, grand chain past six dancers

[]   Swing the seventh person (new partner)

 

Oxo Reel (by John Tether) 

longways 6 couples 32 bar reel

[]   In lines, go forward, clap partner’s hands, and back;  Do-si-do

[]   Repeat A1

[]   Top 2 couples make circle and go left and right

      WHILE bottom 2 couples do the same

      WHILE middle 2 couples star right and left

      (This spells “oxo”)

[]   Top gallop gallop down centre to bottom;  All swing

 

Sibby Circle Waltz   

big circle            32 bar waltz

[]  All swing right leg across, then left leg, and men pass partner across to their left; Repeat with next partner (number 2)

[]   Repeat with next two partners (3 and 4)

[]   With 5th person, take two-hand hold and slide two steps in and two steps out;

      Repeat these sliding steps.

[]  Clap both hands with present partner, slap own knees, and turn for a “boomps-a-

      daisy”;  Swing current partner and end in a big circle


Sibby Sausage Dance 

longways 4 couples 32 bar polka

[]   From top, lines cast out, down to the bottom and up the centre to place. This should be done with high skips (knees well up), while singing the tune cacophonously, and with a final “Oi!” with raised fists.

[]   Sausage: All hold hands (in an oblong). Bottom couple make arch and top couple lead down the centre, twist away from each other (under own arms) and come back to top over the other dancers.  Throughout this figure, nobody lets go hands.

     Optional alternative [chipolata] – same as sausage but top couple let go each other’s     hand after going under the arch, and bring the lines up the outside back to place.

[]   Do-si-do with partner – right then left.
      (Original B1: In fours, star right & left)

[]   Top couple swing down centre to bottom while others clap.


Stoke Golding (a dance from Leicestershire)

longways 5 couples            unphrased

[]   Top man and bottom lady meet in centre for swing and back to places

[]   Top lady and bottom man do the same

[]   Top couple strip-the-willow

[]   This same couple arch up over the ladies’ line; and down over the men’s line.


Swedish Masquerade          (a dance from Denmark) 

couple  48 bar medley

[MARCH]

Stand side-by-side, holding nearer hands elegantly, noses in the air, spare hands on hips (little fingers sticking up)

March seven slow stately steps up the room, turn, and march seven slow stately steps back (This should be a “glide” rather than a march – on the balls of the feet)

[WALTZ]

Holding hands (still), step away and together twice, then waltz around; Repeat

(When stepping away and together, move free arm out to side and back in an arc)

[POLKA]

Four “steps”, then swing; Repeat


Seaside Dance originally called “Tralee Maggot”

couple  32 bar march

[]   With partner, turn (right arm, then left arm)

[]  Promenade around the room; Stamp thrice, slap thigh, claps and “boomps-a-daisy”

[]   Do-si-do right and left

[]   Four high kicks (with exuberance); Swing

To make this a circle mixer, change figure 3 to: 

Do-si-do right, slide left to face new partner



GALLIMAUFRY
churchill gardens; cockle sheds; dance of the midnight hags; first dance; forest hornpipe; gallimaufry; galloway cottage; ghostbusters;
haunted square; kew gardens; king's chase; la russe petite;
liverpool farewell; lytchett bay; roll out the barrel; rugby strip;
trip to rwanda; viva espana; weakest link; ye olde smack
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Churchill Gardens

longways 4/5 couples 32 bar reel

[]   Men pass partners by the left shoulder, turn to the left and in single file chase up to the top and down own side, to end inverted

[]   Ladies pass opposite person by the right shoulder, turn to the right and in single file chase up to the top and down own side, to end inverted

[]   Swing partner, and end facing up

[]   Top couple make an arch, and others lead up through the arch and cast down own sides

If you prefer to end the dance on the swing, start at B2

The dance can also be done by sets of 3 couples (leisurely) or 6 couples (frantically)

 

Cockle Sheds   

longways 4 couples (2s & 4s improper)            32 bar march

[]   In fours, star right; Ladies Chain halfway across

[]   Ladies Chain halfway across; In fours, star left

[]   Dixie-needle, start with 1st man going under arch, then 1st lady under arch for

      return

[]  1st couple lead to bottom; All set, and cross with partner

Dixie-needle:  This is Thread The Needle with a Dixie twirl – so BOTH lines move


Dance Of The Midnight Hags 

circles 3 witches 32 bar reel

FILL THE CAULDRON

[]   All march in (“eye of newt, and toe of frog”) and fall back;

      Set left and right, turn single left

[]   All march in (“wool of bat, and tongue of dog”) and fall back;

      Set left and right, turn single left.

STIR THE CAULDRON

[]   Circle right (“mingle, mingle, mingle”);

      Star left (holding an imaginary and enormous spoon!)

“HOVER THROUGH THE FOG AND FILTHY AIR”

[]   All scatter and reform circles in new groups of three.

      (flying on broomsticks OR running randomly making witch-like shrieks)


First Dance  

couple  32 bar waltz

[]   Step and honour right, then left; Swing partner with peasant hold (clockwise)

[]   Step and honour left, then right;

      Swing partner with peasant hold (counter-clockwise)

[]   Two-hand hold: sway and spin down and up

      (optionally, replace “spin” with “roll” – i.e. do not release hands)

[]   Two-hand hold: balance forward and back twice (optionally with kisses on cheeks); Two-hand turn (or waltz)

Peasant hold:

(Clockwise):  standing slightly to the left of partner, each put right arm round partner’s waist, and turn as a couple.

(Counter-clockwise): standing slightly to the right of partner, each put left arm around partner’s waist, and turn as a couple


Forest Hornpipe 

circle 3 couples            32 bar hornpipe

This dance is a variation on several similar ones, known variously as

Borrowdale Exchange, Dunedin Festival Dance, Kentucky Reel

[]   Circle left and right

[]   Right-hand turn with partner; Left-hand turn with corner

[]   Star right and left

[]   Releasing hands from the star, ladies slide to the right into a promenade hold with partner, couples promenade away from the circle and join up with two new couples 

 

Gallimaufry 

longways becket (double progression)            32 bar jig

[]   California Twirl, then (going backwards) change places with opposite couple – couples on the men’s file make the arch; In fours, circle right (option: circle left halfway)

[]   Repeat to places (other couple will arch this time, and the circle goes to the left)

[]   Yearn (progression); With new opposite dancer, do-si-do

[]   Do-si-do partner; Swing partner

California Twirl:

Standing side by side, hold nearer hands (man’s right, lady’s left) and change places with the lady turning under the joined hands into her partner’s place WHILE the man moves in an arc to his lady’s place (both now facing in the opposite direction to how they started – i.e. facing away from the other couple in their foursome)

Files:

Looking from the top of the room (where the caller usually stands), the men’s file is on the right and the ladies’ file is on the left.

Yearn:

A figure attributed to George Walker, an American contra caller.

The easiest way to learn this is first to slide to the left (to end facing a new couple – except for two of the end couples who now face a blank space), then slide another place to the left (except for those two end couples who move across to the other side and turn as a couple).

If instead of the “slides” couples go forward diagonally left and then backwards diagonally left, this is the “Yearn” figure.

 

Galloway Cottage 

longways duple improper            32 bar reel

This started as a variation on “Galloway House”

[]  Circle left and right, opening to line of 4 facing down with 1st couple in the centre

[]   Line leads down, ends turn as couples; Line leads up, curl to face across

[]   Men cross (right shoulder), then ladies same; Do-si-do partner

[]   With next couple: Five changes, starting right-hand with partner.


Ghostbusters  

line dance            64 step reel

1-4               Step forward on left foot, lock right foot behind left, step back on right

foot, close left foot to right

5-8              Slide to left, twice

9-12       Vine to the right (step right to side, left foot behind, step right to side, close)

13-16      Shimmy (shake body, moving down and up … or raise arms and “whoo”)

17-32     Repeat 1-16

33-36     Step forward on left foot, brush right foot and step forward and..

37-40     Cross left foot in front of right, pivot turn half-way

41-48         Repeat 33-40 but starting on the right foot

49-52           Jazz Box (Step forward on left foot, cross right foot in front, step 

   back on left foot, and step to side on right)

53-56         Repeat Jazz Box

57-60           Clap four times

61-64          Spin round counter-clockwise ¾ to end facing ladies’ wall


Haunted Square 
square set            40 bar reel
This is really a dance for five couples, with the fifth couple starting in the centre of the set, facing up.  However, this fifth couple are ghosts, so cannot be seen.
Active couple is the couple in the centre of the set
[]   All in promenade hold, active couple does reel of three with Head couples, started by passing 1st couple by the left shoulder
[]   Active couple does reel of three with Side couples, started by passing 4th couple by the right shoulder
[]   Active couple change places with 1st couple, passing left shoulder (promenade hold), then that original 1st couple change with 4th couple … Who change with 3rd couple, who change with 2nd couple
[]   Centre couple do-si-do and gypsy WHILE others circle right and left
[]   All swing partners

Kew Gardens

sicilian circle            32 bar jig

[]   In fours, star right and left

[]   Do-si-do left shoulder with your contrary; Do-si-do right shoulder with your partner

[]   Butterfly arches with opposite couple; Reverse butterfly arches with couple behind

[]   Swing partner, moving counter-clockwise around opposite couple once-and-a-

half, to end facing a new couple.

Butterfly arches:

Face other couple and hold partner’s hand.  Couples facing counter-clockwise make arch and go over the opposite couple, who move forward under the arch; then go back (with the other couple arching) but without turning around.

For the reverse butterfly with the couple standing behind you, do the same movements but start going backwards.

Do-si-do:

The left-shoulder do-si-do is sometimes called “seesaw”

 

King’s Chase

longways 9 couples 24 bar jig

[]   Those who can, do-si-do left shoulder on the left diagonal;

      Those who can, do-si-do right shoulder on the right diagonal

[]   In three group of three couples, grimstock hey

[]   Top couple gallop to bottom

      WHILE other couples swing as soon as they have been passed.

 

La Russe Petite  

square set            32 bar reel

[]   Balance (twice); Swing partner

[]   1st couple “House” (i.e. dance around the inside of the set)

[]   Head couples cross (1s arch), then Sides cross (2s arch);

      Repeat to places, other couples arching

[]   Promenade


Liverpool Farewell 

longways 3 couples (2s improper)            32 bar reel

variation on “Leaving Of Liverpool”

[]   Lines forward and back; Middle couple lead up centre and cast round top to place

[]   Lines forward and back; Middle couple lead down and cast round bottom to place

[]   All hold hands and circle to left, then to right

[]   Top couple cross, cast below middle couple, cross again and cast to bottom

      WHILE other couples do-si-do partner and cross over to opposite side

 

Lytchett Bay 

threesomes circle   24 bar rant + 8 bar final phrase of “Oranges & Lemons”

[]   Holding hands in lines of three: March forward 4 steps, back 4 steps;

      Forward 8 steps

[]   Lady swings right-hand man by right arm; Then left-hand man by left arm

[]   Lady steps (rant) with each man in turn (start with right-hand man)

[]   Men take two-hand hold to form a tunnel round the room:

      Ladies progress through tunnel to a random new pair of men

          (on the phrase “..to chop off your head”)

 

Roll Out The Barrel   

square set            64 bar american reel

more challenging than the version in SAUSAGE CASSEROLE

[]   Active couples promenade around the outside of the set (counter-clockwise)

[]   Same couples go round second time, arching over the standing couples

[]   Allemande left corner; Grand Chain ...

[]   ... and swing partner.

[]   Holding hands in circle, go forward and back;

      Balance left & right, and ladies roll left one place

[]   Repeat figure 5

[]   Active couples Ladies’ Chain (full) WHILE others Ladies’ Chain halfway in-between

[]   All promenade (counter-clockwise)

Sequence:

Heads (with Partners);  Sides (with Partners);

Heads (with original opposites);  Sides (with original opposites)

 

Rugby Strip 

square set            32 bar polka

[] []   Circular strip the willow, started by 1st man and 3rd lady with right-hand turn*

[]   Side couples promenade halfway round outside; then right-and-left halfway across

[]   All 8 circle left and right

*The general direction of the active dancers is counter-clockwise (although it seems to start clockwise!), turning only dancers of the opposite sex.

So 1st man and 3rd lady turn each other once-and-a-quarter in the centre, then go to their Corner for a left-hand turn;

then turn in the centre three-quarters (right), and turn own partner (left);

then turn in the centre three-quarters (right), and turn remaining dancer (left);

then turn in the centre once-and-a-quarter (or more!) and fall back to home places.

Next time, the figure is danced by 2nd man and 4th lady;

Then 3rd man and 1st lady;

Then 4th man and 2nd lady

 

Trip To Rwanda   

big circle            32 bar jig

[]   Holding hands in circle, slip to the left

[]   Keep partner’s hand held (man’s right to lady’s left) and turn to face outwards, the lady going under the man’s arm. Set forward and back. Release hold for gypsy figure, moving clockwise around partner, and end facing the next person around the circle (the one on the other side to your partner when you started the gypsy figure)

[]   Make three changes of a grand chain, with hand-shakes: Shake right-hands with the person you face, and pass by to face the next, shake left-hands and pass by to the next, shake right-hands and pass by to the next – and this one you “honour” and take in a ballroom hold

[]   Gallop away (do not gallop in a circle) anywhere in the room, but get back in a random position in a Big Circle in time to start again.

 

Viva Espana 

couple  reel “Viva Espana”

Verse                Couples march (proudly) side-by-side 1-2-1-2-3 and turn.

Repeat to place.

Then man kisses lady’s hand (passionately) and spins her round on

the spot.

Chorus             Right-hand turn;

Gypsy halfway clockwise (clapping hands in air).

Repeat to left (turn and gypsy),

Hold right hands: Man drops to knee (romantically) and lady walks

around him (disdainfully, or mysteriously, or however she

chooses).

Man rises and swings partner

 

Weakest Link     

circle 9 dancers            32 bar reel

Dancers are numbered 1-9 and retain their numbers throughout the dance

[]   Slip circle left and right

[]   All forward to centre and shout “bank”, then fall back;

     Set and turn single – lowest numbered dancer ends facing counter-clockwise and

      others face clockwise.

[]  Progressive reel, started by lowest numbered dancer passing the facing dancer by the right shoulder

[] Continue the reel to whatever final position is reached by the end of the music,

      which will stop.

One dancer is eliminated at random (“Number x, you are the weakest link; goodbye”) and leaves the floor

For the final time, when there are two dancers left, the sequence is:

2-hand turns; balances, set and turn single; do-si-do and gypsy right; do-si-do and gypsy left.

After the final elimination, the “winner” skips a lap of honour to the extra 8 bars

 

Ye Olde Smack

longways duple improper            32 bar reel

variation on Tony Parkes’ “Shadrack’s Delight”

[]   Do-si-do contrary, then move forward by right shoulders to form wavy line across the set; Balance, right-hand turn halfway at ends and reform wave

[]   Balance, men left-hand turn halfway;

      Swing partner, ending in promenade hold, men in centre

[]   Promenade in the direction you face, turn as a couple;

      Promenade back, and men turn ladies three-quarters to face across

[]   Ladies’ Chain halfway; Right-and-Left halfway. Face new couple

 

 
 
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